How can you stay connected to a loved one when they are locked away in prison?  

Jay Jay Patton lives in a suburban household with her mother and baby sibling.  She is an earnest student whom we see writing a letter to her dad, thriving in math class, and enjoying her after school dance program.  Then over dinner one night her mother shares the news that her dad is finally coming home.   

The subsequent chapter flashes back to Jay Jay’s budding awareness at age five that her dad is not around.  Then the  story flashes forward to the present and Jay Jay’s reunification with her father and the changes the family must make now that he’s home.  

Markia Jenai’s serviceable illustrations  convey Jay Jay’s diverse emotions which any middle school  child of an incarcerated parent might feel.  There is an element of surprise at the end of the story and rich evidence provided in the back matter to illustrate and substantiate the happy ending.  

Middle school readers with an incarcerated parent may find heretofore unavailable emotional comfort from a story like their own represented in a  graphic format.  All readers can gain something from Jay Jay’s beautiful story and learning from her memoir.  Highly recommended for all school libraries serving middle-school aged youth, this book was recently highlighted by the In the Margins Book Award.--Jessica Fenster-Sparber

Patton, Jay Jay.  Dear Dad: Growing Up With A Parent In Prison and How We Stayed Connected.  New York: Scholastic Graphix, 2024.

Who Was Selena? by Kate and Max Bisantz

Who Was Selena,  part of the Who Was? biography series,  provides a cogent overview and empathetic perspective of the life of Selena Quintanilla,  the beloved Texas-born  singer of Latin music,  known as the Queen of Tejano.  Students will be interested to learn how she skyrocketed to fame at an early age, had to  learn Spanish as a second language, and tragically died young.  

Significantly, the first chapter outlines the discrimination faced by Texans with Mexican ancestry like Selena.  In keeping with the series, this volume includes sidebars on schema-building topics like the Corpus Christi City Directory, Tejano Music, Laura Canales, and Gloria Estefan.  Black and white illustrations and white space make this an especially attractive choice for newly independent readers.  Backmatter includes Selena’s discography, a timeline of her life, and what was happening in the world during those years including the opening of Walt Disney World in Orlando, Florida,  and the presidential campaign of Shirley Chisholm, the first Black woman elected to the US congress.  --Jessica Fenster-Sparber

Bisantz, Kate and Max.  Who Was Selena?  New York City: Penguin Wrrkshop, 2018.  Print.

A Guide To Grief by Cole Imperi Illustrated by Bianca Jagoe

Billed  as “the wise friend you need when you experience loss,” this non-fiction book may be needed in your self-help section.  Organized into nine chapters with plenty of white space and black and white illustrations, the introductory first chapter is  “for everyone” and then the book goes on to distinguish between “deathloss” (loss of a person or pet) and “shadowloss” (loss of a thing), the feelings present within grief, and how to support others through grief.  

Imperi and Jagoe make a noteworthy effort to be inclusive by presenting five fictitious young people experiencing grief in illustrations and sidebars. Backmatter includes prompts for journaling, a note for adults supporting young people in grief, bountiful and international resources, an index, a bibliography, and extensive acknowledgements.  Accessible to those reading at middle grade levels and up.--Jessica Fenster-Sparber

Imperi, Cole.  A Guide to Grief.  Toronto: Kids Can Press, 2024.

An Illustrated History of Urban Legends by Adam Allsuch Boardman

If you’re searching for an inoculation for the easily-taken-in teen, look no further than this highly stylized illustrated volume from Flying Eye.  Thoughtfully designed for maximum engagement and cursory browsing, the reader who devotes herself to a hundred or so pages of this book will feel a sense of remove and widened perspective.

After introducing the topic author-illustrator Boardman surveys urban legends by era without getting bogged down in the details,  and uses digital illustration and a palette of pinks, blues, and gold images to provide a lighthearted visual element to text blocks.  Layout is more like a DK book than typical narrative non-fiction.  

Eurocentric and although it sports a few typos, forgiving readers may appreciate Boardman’s consideration of global perspectives and how he shines a light on certain ableist angles perpetrated by urban legends.  Generous backmatter includes an illustrated list of further reading, films for further viewing,  a glossary, and an index.  Accessible to readers at middle school levels and up. --Jessica Fenster-Sparber

Allsuch Boardman, Adam.  An Illustrated History of Urban Legends.  Flying Eye, London, 2024.  Print.

Programming Spotlight: Nuttin' But A Word

 On Wednesday, February 7, Passages Academy’s school library at Belmont hosted a delightfully energizing pre-theater workshop co-led by the talented Ugo Anyanwu and Hassiem Muhammad through the New Victory Theater.  

Ugo and Hassiem are working actors who also serve as teaching artists.  They taught our Belmont students’  Blum group about choreographer Rennie Harris’s take on hip hop.  Then they engaged us all in learning four dance moves and a theater game or two.  

Reluctant at first, the students were highly responsive to the duo.  By the workshop’s end Blum’s participating staff members, my enthusiastic colleague, Ms. Thomas,  and the students were animated with movement and laughter.  We are ready to see Nuttin’ But A Word tomorrow at the historic theater. --Jessica Fenster-Sparber

My Name is Marcus by Geoffrey Philp, illustrated by Shaquille Cross and Marcel Hemmings

 

For many years my Belmont colleague has asked  for a text for students about Marcus Garvey, and until now, there has been little to recommend beyond biographical entries in reference works.  This previous dearth of texts about Garvey, whose significance cannot be overstated, now makes this graphic novel for middle school readers remarkable.  

Although the book lacks a  bibliography or table of contents,  teachers who have been hungering for a book about Garvey will be delighted by this slick and richly colored slim volume.  Crosse and Hemmings’ serviceable digital illustrations get the job done,  and youth reading it in detention may appreciate the depiction of Garvey’s time in an American prison and the abuse he endured there.  They may also appreciate learning about President Biden’s recent posthumous pardon of Garvey, and teachers may use this newsworthy development as an introduction to Marcus Garvey’s role in American history and world history.  Backmatter includes a list of 75  facts about Garvey and 20 quotes without any further context provided. --Jessica Fenster-Sparber

Philp, Geoffrey.  My Name is Marcus.  Kingston: Blue Banyan Books, 2024.  Print.

These Violent Delights by Chloe Gong

These Violent Delights takes one of the most recognizable stories - that of the lovers Romeo and Juliet - and twists it around.  Juliet and Roma belong to opposing families and although they were lovers in the past,  they’ve both been thrust into their family businesses and are now antagonists.  But when their respective gang members start to kill themselves rather than fight each other,  both Juliet and Roma have to discover what is happening before the "plague" destroys both their houses. Students who enjoy romance, suspense, or are interested in reading a take on a classic should be sure to pick up These Violent Delights.--Claudio Leon

Gong, Chloe. These Violent Delights. New York: Margaret K. McElderry Books, 2020. Print.

BLAME! by Tsutomu Nihei

In this captivating graphic novel humanity has lived within the megastructure for so long that its citizens have forgotten the real Earth. 

Kyrii seeks a unique gene in a world blurring the lines between biology and synthetic life. But the megastructure, a sentient entity, will stop him at any cost. What is the Net Terminal Gene? How vast is the megastructure? Can Kyrii succeed when anyone or anything can be turned against him? 

Blame! is a visual feast, relying heavily on graphic storytelling. Minimal text conveys its gritty, beautiful, and chaotic mechanical world. Manga and art lovers alike will appreciate the stunning artwork that drives the narrative.--Claudio Leon

Nihei, Tsutomu. BLAME! New York: Kodansha, 2004. Print